Ayşe,Ali,MehmetandZeyneparemiddleclassmillennialsstrugglingtomakeendsmeetinIstanbulEitherstilllivingwiththeirparentsorhardlygettingbywithouthelpfromtheirfamilies,theyareallbesetbysimilarwoes:moneycrunch,joblessness,socialisolationInviewoftheworld’shorrorsthatZeynepenumeratesinherdiaryentries,theseareminorproblems,‘slightdisasters’,buttheyareallconsuming,atleasttotheextentofmakingthemcryinthestillofthenight However,UmutSubasi’sfirstfeature,AlmostEntirelyaSlightDisaster,isnotamelodramaWithanappealinglylighttouch,itdiagnosesthemalaiseofagenerationthathasrunupagainstadeadend,onewhosefutureprospectsareindistinguishablefromagameofchanceThisisaworldwhereastrology,thelotteryandonlinepersonalitytestscompetewithvisaandjobapplicationsaslifeshapingelements Fittingly,thefilmisstructuredaroundchanceandcoincidence,withitshandfulofcharactersencounteringeachotherineverypermutation,asthoughtherewerenoworldoutsidethissmallsocialbubbleWithselfaware,frontalframingthatpinscharacterstotheirsurroundingsandacounterintuitivemusicalscorethatturnspathosintohumour,Subasioffersasocialmediamoviewithoutsocialmedia,onewhosecharactersareunitedintheirdoublelivesandfrustrateddesires 源自:https://iffrcom/en/iffr//films/almostentirelyaslightdisaster
2026-04-11 04:30:02，最后更新于 3月前