月亮上的洞

Acomicandepisodicsatire,thefilmusesimprovisationtoillustratetheclashbetweenfantasyandrealityinreallifeAlthoughconceivedinthestyleofMekas'"Hallelujahthehills"1962,it'sanauthenticallyIsraelisatire,anopenlyrebelliousandindividualisticexpressionthatpokedfunatthesacredmythsofearlierzionistfilmsThetechniqueoffilmwithinthefilmisusedtoportraycinemaasreflectionoftheimagination,amiraclebasedondreamsandfantasiesthattakeonconcretecharacteristicsparalleltothemiracleofIsrael,thedreamthathasbecomerealityAlthoughnotacommercialsuccess,itsimportanceisbeyondanymeasure,thoughitremainsauniqueexperiment,boldlyuncommercialandsubversive,outofanycontextinthatpatriotic,ideologicalepoch                                     Anewimmigrant,Tzelnik,arrivesattheportofJaffaHegoestoliveintheNegevdesertwhereheopensakioskinthemiddleofnowhereMizrachicomesalongandopensacompetingbusinessacrossthewayThetwomakealivingbysellingtoeachotherAsthereisnothingthere,theydecidetocreateaworldoutoftheirimaginationTheybuildacardboardfilmset,whichslowlytakesonrealdimensionsthebuildingsturntoconcrete,peoplecometoauditionforpartsinthe"film"cinemaveritéstyle,withZoharmockingviciouslythepretensionsofthe"actresses"andbuilderscometobuildappartmentbuildingsmockingtheglorificationofconcreteand "heroic"settlementInonesequence,Arabactorscomeandaskthefilmmakersturnpositivetonegative,andthey'regiventheroleofpioneerswhoplowthelandandsingzionistsongsTheimaginedworldofthefilmmakersbecomessorealeventuallytheylosesightofthethinlinebetweenfantasyandreality                                     Alongthewaytherearealsomanyreferencestootherfilmsandgenres:thesamuraiflicksofKurosawa,westerns,thepopfilmsbyRichardlester,themealscenefromTomJonesandmanyothers                                     ThefilmwasmadebyabunchofverytalentedfriendsZohargathered,andtheyshotitwiththeirownfunds,asacollectiveflick,anotheraspectofitthatsetsitapartfromtherestoftheproductioninthecountry

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2026-02-07 15:43:41,最后更新于 6月前

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